Then we have Baskerville, a very common fiction font. Thick lines, no serifs, ample white space between the lines. The text on your page must convey your words, meet your reader’s expectations, and be easy to read.Ĭompare these samples of the same copy with differing fonts:Ĭalibri is Word’s default and looks just fine on the screen. The best fonts for books will be invisible. Too many fonts can be jarring for your reader. There’s no one answer to how many fonts you should use in a book, but if you’re putting your book together and you’ve got more than six different fonts for the interior and cover tone it down. Alongside those, you could use unique fonts for your front matter, header/footer content, and loads of other kinds of text-section titles, footnotes, the dedication, etc. Then you’ll have your primary font for the body text (like Baskerville) and another stylized font for your chapter titles (like Bigshot One). For example, you might use a block-style font for the title (like Gotham) and a serif font for the subtitle and other cover text (like Caslon). If you go pick up any book off your bookshelf, you’ll likely be able to find five or six different fonts in use. Your book cover fonts are important too-for all the same reasons. The line length, height, page size, page margins, and letter spacing are just a few elements that are affected by your font choices. The font is just one of many page design considerations you must balance when creating your book interior.
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